Lucknow: “Mangalachar” by OP Srivastava is an evocative exploration of a family’s emotional, psychological, and spiritual ordeal following the sudden diagnosis of brain cancer in a loved one. The film portrays their struggles against the overwhelming complexities of cancer treatment—from modern medical procedures to the financial and emotional pressures they face. It delves into the deeper issues within the healthcare system, revealing the stark disparity between aggressive, high-cost treatments and the compassionate, holistic approach of palliative care.
Through the protagonist’s journey, the narrative uncovers the commercialisation of cancer treatment, where patients’ suffering is exploited for profit. The film critiques this profitdriven cancer industry and advocates for a shift in medical practice—one that prioritizes humanity, compassion, and the quality of life for patients. By illuminating the importance of palliative care, “Mangalachar” calls for a new paradigm that balances technological
advancement with empathy, urging the medical community to focus on more humane and
economical approaches to cancer care.
“Mangalachar” (मंगलाचर) is a traditional Sanskrit term that refers to the recitation or invocation of auspicious verses or prayers at the beginning of a ritual, ceremony, or important event. The word is derived from two parts: “Mangal” (मंगल), meaning auspicious or good, and “Achar” (आचर), meaning conduct or practice. Together, “Mangalachar”
signifies the practice of invoking blessings or positive energy to ensure a successful and harmonious outcome for the event.
In many Indian traditions, Mangalachar is performed to seek divine blessings and create a peaceful and positive environment before starting any significant endeavour, such as a religious ceremony, wedding, or even a new project. It reflects the cultural and spiritual belief in the power of blessings and good intentions.
