Delhi: Indian cinema’s visionary filmmaker Sanjay Leela Bhansali is all set to make a grand return to the big screen with his most awaited film, Love and War, slated for release in 2026. The historical drama, which brings together Alia Bhatt, Ranbir Kapoor, and Vicky Kaushal in lead roles for the first time, has already become the talk of the town across the industry and among audiences.
Recent speculation suggested a 2027 release, but a reliable source from the film’s team has firmly dismissed these rumors, confirming that production is progressing on schedule and the film will indeed hit theaters this year.
The source revealed that Bhansali recently wrapped up an important song sequence, and most of the key scenes have already been completed. The director’s signature focus on grand sets, period detailing, and emotional intensity makes Love and War one of the most ambitious projects of his career.
Exciting details about the film’s music schedule have also emerged. The first song will start filming on January 20 at Goregaon Film City, featuring Alia Bhatt, Ranbir Kapoor, and Vicky Kaushal together on screen for the first time. Choreographed by Ganesh Acharya, the high-energy track promises to showcase Bhansali’s trademark visual grandeur on a spectacular scale.
A second major song is scheduled for February, choreographed by Shiamak Davar. Reportedly bigger, more experimental, and emotionally charged than the first, this number will deepen the narrative of a love triangle set against the backdrop of war, highlighting conflict and intensity.
Music has always played a pivotal role in Bhansali’s storytelling, and Love and War is set to elevate this tradition further. With powerful choreography, emotive music, and breathtaking visuals, the film is already being counted among 2026’s most anticipated cinematic events.
After weeks of speculation, it is now official: Love and War will arrive in 2026, with Sanjay Leela Bhansali once again poised to bring a tale of history, love, and conflict to life in his inimitable style.
