Mumbai | The dazzling world of television may appear glamorous on screen, but behind the bright lights lies a harsh reality of struggle and uncertainty for thousands of artists. This reality came to the forefront when CINTAA (Cine & TV Artistes’ Association) President Poonam Dhillon spoke candidly at the launch of the Journalists Media Association Maharashtra State Committee’s 2026 calendar. Her remarks highlighted the long-standing issues faced by television artists and reaffirmed her role as a strong advocate for their rights.
During the interaction, Poonam Dhillon revealed that even today, many TV artists receive their payments as late as 90 days after completing work. The situation is even more alarming for artists performing one- or two-day character roles, as producers often do not provide them with formal agreements. As a result, payments are frequently delayed and, in several cases, not made at all. In such situations, CINTAA is compelled to intervene and pressure producers to clear dues.
Dhillon also recalled that character artists were earlier provided a ₹500 conveyance allowance by producers, offering some relief amid demanding schedules. However, despite repeated requests, most producers have now discontinued this practice, adding to the financial burden on artists.
Working conditions have also deteriorated over the years. Shooting shifts that were once limited to eight hours have now been extended to 12 hours, and in many cases stretch to 15–16 hours. Despite these prolonged schedules, several producers fail to compensate artists for overtime. Cost-cutting measures have further affected the quality of basic facilities provided on set, making daily work conditions increasingly difficult.
According to Dhillon, established stars rarely face these issues, as producers’ revenues are closely linked to them, ensuring better facilities and timely payments. However, character artists—often described as the backbone of the television industry—continue to struggle for basic rights and fair treatment.
She also pointed out that multiple representations have been made to central and state government ministers and officials regarding these concerns. While some efforts have been initiated, effective implementation at the ground level remains lacking, leaving artists’ problems unresolved.
Despite the challenges, Poonam Dhillon struck a note of optimism. She expressed confidence that the government and administration would soon take these issues seriously and introduce concrete, effective measures in the interest of artists. By exposing the truth behind television’s glamour, Dhillon’s voice may well mark the beginning of meaningful change for the industry’s unsung contributors.
