New Delhi: The recently released film Dhurandhar has sparked wide discussion for its bold portrayal of Pakistan’s ruling establishment and its alleged role in orchestrating terrorism against India. Written and directed by Aditya Dhar, the film attempts to peel back layers of geopolitics, espionage and organised crime, presenting a hard-hitting narrative that resonates strongly with Indian audiences.
Contrary to preconceived notions shaped by pre-release reviews, Dhurandhar has managed to rise above criticism and strike a chord with viewers, especially in smaller cities where cinema halls are struggling to survive. The film has emerged as one of those rare releases that have managed to revive footfall in theatres, underlining its strong mass appeal.
Set against the backdrop of major terror incidents such as the 2001 Parliament attack and the 26/11 Mumbai attacks, the film explores Pakistan-sponsored terrorism, fake currency rackets and sustained attempts to destabilise India, particularly in border states and Kashmir. The narrative highlights how terror networks, allegedly backed by Pakistan’s political leadership, military and intelligence agencies, have operated with impunity.
The story revolves around a covert Indian intelligence operation, “Operation Dhurandhar”, approved in the aftermath of the Parliament attack. The mission involves sending Indian agent Hamza Ali Jamali into Pakistan via Afghanistan. Disguised as a common man in Karachi’s Lyari area, Hamza infiltrates local crime syndicates and gradually gains proximity to powerful gang leaders and influential political and intelligence figures. Through his journey, the film depicts the nexus between gangsters, businessmen, politicians and intelligence officials in Pakistan, exposing what it portrays as a deeply entrenched anti-India ecosystem.
Despite passing on critical intelligence, Hamza witnesses the horror of the 26/11 attacks, which leaves him shaken and determined to dismantle the terror machinery from within. The film culminates in the elimination of key terror-linked figures, portraying it as a decisive blow to the network.
The film boasts a strong ensemble cast, with Ranveer Singh delivering a powerful performance as Hamza Ali Jamali. His physical transformation, body language and intensity have been widely appreciated. Akshaye Khanna, as gangster Rahman Daku, adds depth and menace to the narrative, while R. Madhavan, Arjun Rampal, Sanjay Dutt and Sara Arjun lend solid support. The performances collectively help the film span nearly three decades of events within a tight three-hour runtime.
Beyond its cinematic elements, Dhurandhar has also drawn attention for its claim of being inspired by real-life events. Post-release discussions suggest that Hamza’s character may be based on an Indian operative believed to have been sent on a high-risk espionage mission into Pakistan. While details remain debated, the filmmakers maintain that the story is rooted in real incidents.
Overall, Dhurandhar presents a stark depiction of Pakistan’s alleged long-standing strategy of using terrorism as a tool of state policy. By bringing these themes to the big screen, the film reinforces sentiments long felt by the Indian public but rarely portrayed so directly in mainstream cinema. The film stands out as a daring attempt to combine action, realism and political commentary, making it one of the most talked-about releases of the year.
