Lucknow: In an industry often defined by clear boundaries between roles, Rooe Jalgaonkar stands out as a rare, multifaceted force. An actor, a trained method performer with a Master’s degree in Arts, and more recently, the Chief Assistant Director of Krishna Arjun — the world’s first double-role, single-shot feature film — Rooe has not just stepped into multiple shoes but has worn them with purpose and precision. Her recent Best Actress Award-winning performance in the Marathi short film Balat showcased the depth and sensitivity she brings to complex characters. But Rooe isn’t one to be boxed into categories. She moves fluidly between formats — short films, music videos, and feature-length narratives — all while absorbing, learning, and contributing to each medium with an evolving artistic sensibility.
With Krishna Arjun, a technical and narrative experiment that demanded absolute coordination, Rooe’s dual role both behind and in front of the camera offered her a 360-degree view of what it takes to bring a story alive in one uninterrupted take. Her process is deeply layered — an organic blend of theory from her academic background and the instinct honed through immersive training and on-ground experience.
In a recent post, she declared herself a filmmaker — a bold, empowering statement that speaks to her growing vision beyond acting. As she explores what it means to be a storyteller in today’s ever-changing cinematic space, Rooe Jalgaonkar is also quietly inspiring a generation of young women who dare to dream of doing it all. In this conversation, she opens up about juggling creative responsibilities, the evolution of her craft, and the kind of stories she’s ready to tell next.
Q: Ms. Jalgaonkar, you’ve not only acted but also taken on the role of Chief Assistant Director in Krishna Arjun, the world’s first double-role, single-shot feature film. How did juggling both responsibilities shape your understanding of filmmaking?
A: Thank you so much for the question. Yes, it was extremely challenging to balance both roles — being behind the camera and in front of it. Especially in a film like Krishna Arjun, which is shot in a single take — you don’t get a second chance. We rehearsed intensively for six months so that on the final day, there would be no room for error. As Chief Assistant Director, I had to handle a crew of nearly 200 people, manage multiple locations, and still be performance-ready when my cue came. It was overwhelming but incredibly rewarding. It gave me a whole new perspective on the filmmaking process.
Q: A single-take film like this must have involved immense coordination. Were there any behind-the-scenes challenges?
A: Oh, absolutely. On the final day of shooting, right before the climax, the power went out — complete darkness. But our director, Hemant Tiwari, had taught us one rule: unless he calls “cut,” the camera doesn’t stop. So, we didn’t. We turned on our phone flashlights and kept going. Everyone was nervous, but we stayed in character. We shot again the next day — and that’s the take you’ll see on YouTube.
Q: You’ve worked in music videos, short films, and full-length features. How do you adapt your performance style across different formats?
A: I’ve always been drawn to performance. I started as a child artist — I did shows for Pogo, Nickelodeon, and even choreographed for Sonu Nigam. I’ve done live stage, modeling, and teaching dance to school kids. Each format brings its own rhythm, and I try to respond to that energy while staying true to the core of the character.
Q: With a Master’s degree in Arts and training in method acting, how do you balance theory and instinct?
A: Both theory and real-life experiences help. I’ve worn many hats — model, dancer, teacher — and all of that feeds into how I approach a character. My parents were incredibly supportive; they never said no to my dreams, only told me to be safe and come home. That freedom gave me confidence to try everything.
Q: In a recent post, you proudly called yourself a filmmaker. Do you see yourself writing or directing in the future?
A: I do! Working on Krishna Arjun taught me a lot, though I still feel I’ve only scratched the surface. I’m constantly learning, especially from Hemant Tiwari sir. People say I have a good eye for the camera, and yes, I dream of telling stories — especially around women empowerment. Stories that push you to take that scary, bold step… because sometimes, that’s the one that changes everything.
Q: As a woman navigating multiple creative roles, what message would you give aspiring female artists?
A: When it starts with “as a woman,” it already feels emotional — because we know how hard it can be. But my message is: be focused, be true to your art, and be consistent. I know “consistency is key” sounds cliché, but it’s real. Every time you show up, you grow stronger. Practice really does lead to perfection. Don’t worry about being called “cringe” or judged. Just do your thing — boldly, unapologetically.
